Slayer Christ Illusion Rapidshare
Widely considered to be the most important metal band ever, Slayer has re-affirmed that the opinion with its latest album, Christ Illusion. First released last summer. Slayer - Christ Illution (Full Album) Jhonatan Antonio. Unsubscribe from Jhonatan Antonio?
Special edition Christ Illusion is the 10th studio album by the American band. Released on August 8, 2006, the album received generally favorable critical reviews, and it entered the at number 5—the band's second highest U.S. Chart position as of 2015. Christ Illusion includes the -winning songs ' and 'Final Six', and is the band's first studio album to feature original drummer since (1990). It is also the first time since that they recorded songs in D# tuning. The songs ', 'Flesh Storm', 'Catalyst' and 'Consfearacy' were recorded in D# tuning, while the songs 'Catatonic', 'Eyes of the Insane', 'Skeleton Christ', 'Supremist', and 'Final Six' (bonus track) were recorded in Drop B tuning.
The songs 'Black Serenade' and 'Cult' were recorded in C# tuning. Depicting a mutilated Christ painted by longtime collaborator, the album's graphic artwork courted controversy.
An alternative cover was issued to conservative retailers who felt uncomfortable with the original. The band also put out a censored cover which censored out the offensive artwork. Lagu Ungu Surgamu here. Lyrics, particularly in the song 'Jihad', describe the from the perspective of a terrorist. Following protests, all Indian stocks of the album were recalled and destroyed by India. Contents • • • • • • • • • • • • • • Recording [ ] Christ Illusion was recorded via computer between two studios: NRG Studios,, with assistant engineer Dave Colvin; and Westlake Studios,, where Brian Warwick assisted.
Guitarist recalls nine of the eleven songs originally slated for Christ Illusion were demoed in 2004, with at the drum kit. However, Lombardo recalls recording with King as far back as early 2003, when two demos were completed at Lombardo's home. In a July 2004 interview, guitarist reported 'Me and Kerry have a bunch of songs,' and expressed the band's intent to finish the record that year. Slayer's label was at the time negotiating a switch of record distributors from to, meaning the recording would have been temporarily shelved until the issue became resolved. For this reason the group did not finish a record at that time, as the distribution deal with Warner Records was not finalized until late July 2005. Slayer wished for producer to produce the album, and expected him to do so after Rubin expressed an initial interest. Rubin was busy, however, which caused a further delay to recording.
While Christ Illusion 's recording was finally underway Rubin lent production to 's, an action later described by King as a 'slap in the fucking face.' Produced the album instead, and was praised by 's Don Kaye 'for capturing much more of the spark than has been apparent on the last few records.' Despite missing an opportunity to produce Christ Illusion, Rubin contributed in an ' capacity. King was critical of his involvement, and said he cannot recall Rubin's presence in the studio during the recording, and that Rubin's main contribution was in providing suggestions during the final mix. Jamie Thomson of UK's newspaper was scornful of Rubin's contribution, and observed Slayer 'seem unwilling to ditch the nu-metal tendencies that have made much of their recent output so resistible, which suggests Rubin's involvement was considerably less hands-on than in his remarkable redemptions of and.' As with Slayer's previous two albums, all rhythm guitar tracks on Christ Illusion were laid down by King. Using a JCM 800 as the main guitar sound throughout the album, King wrote roughly 80% of his guitar solo parts prior to the sessions.
The song 'Catalyst,' meanwhile, almost saw inclusion on Slayer's 2001 album, existing in an alternative version which features former drummer on drums. Lombardo's involvement marked the first time he, King, Araya and Hanneman had appeared together on record since the release of in 1990, a reason cited by guitarist Jeff Hanneman for an alleged clearer vibe throughout the songs on the album. Lombardo personally described the album as 'a matured Reign in Blood', while King described it as 'a mix between God Hates [ Us All] and Seasons [ in the Abyss].' Although eleven songs were originally slated for the album, only ten made the final track listing. A song penned by Hanneman, entitled 'Final Six,' was meant for inclusion, with the song name originally declared as the album's title by vocalist to of 's. Questioned about the album's title by of Los Angeles, King replied 'I'm not positive it's been nailed yet. Program Tv Protv 1 Decembrie 2011 more.